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Hot Junk to Get

  • VINTAGE EYEWEAR
    Well, you can go get glasses at the local Lenscrafters, OR you can hunt down some spectacular vintage hand cut frames at your local antique shop and have them fitted with your prescription lenses. Or maybe---do both. I have some very normal, "don'-t-cause trouble" frames, and some "in-your-face" frames I like to wear when I am feeling "con cohones" and have had a drink or two. Better to buy "new old stock", if you are going to invest much in the lenses. It is not good to throw money into old frames in bad shape that will fall off your head or lose an arm and need that proverbial piece of masking tape to keep them together. Unless that is the look you crave--the look of half the boys in my nerdy seventh grade class circa 1965. If so, I have an old briefcase and a pocket pen holder I would like to sell you. I'll throw in the slide rule.
  • Lawn art and ashtrays
    Back when guys stayed home more, listened to the radio and do other things at the same time, they probably labored over homemade lawn art, standing ashtray holders, and door stops. Usually they were made out of plywood, then painted. Look for slightly crackled paint. Many of the best of these were old comic strip characters like Jiggs and Maggie, or the ocasional Disney character. Black cats are plentiful. Also Butlers. You do not have to smoke to appreciate them.
  • old silhouettes
    Many of these come from the 20's and 30's. You can often guess the age of the piece by the dress of the person whose portrait it is. Hung together on a wall, they have a wonderful impact.
  • Old cookbooks by local groups: i.e. Grange cookbooks, church cookbooks, college cookbooks, etc.
  • Tacky Souvenirs from old site seeing locales

Answer for Mr. Peanut

Aw, shucks

Art and Crafts and Books

Last weekend I had the opening for the first gallery show I have done of my own work since about 1980, when I was still working with dolls and puppets. The space is THE GALLERY AT RED GATE FARM in Plymouth, NH. The people up there are lovely and enthusiastic. Even though the space was small, I packed a load of art into it. I had a many pieces of art framed: about 15 pieces from Tex and Sugar, and about 12 pieces from editorial work and other books. I also offered unframed art for sale (in the print racks) and I had arranged to get professionally shot and printed giclees of the Tex and Sugar illustrations that were framed. I offered those for reasonable prices; they are being done in editions of 50.

For an extra dimension of fun, I brought a few remaining soft sculpture pieces from home, not for sale, but to add flavor. Here are the two busts that live in MA in our piano, and are meant to be "at the bar." Martini's anyone?

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I like the idea that this showing took place in a gallery that also houses fine handcrafts created by skilled artisans from all over the USA. The setting appeals to me because that is how I began my first real gallery shows--working in fiber, and with the best craft work from the glory days of the 1970's.

Here are shots of the show before people arrived:

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The hand made furniture you see is by an outfit called Shoestring Creations. And the funny part is that I have a TON of this stuff in my Massachusetts home, so showing my work next to that furniture is how I actually display my art in Needham. I have the same lamp muti-colored lamp, along with several other pieces. And I bought them from this gallery.

The next picture is when I read my book. What a wonderful audience they were! I think they may be my favorite group yet. I love the way the adults got down on the floor along with the kids and that they ALL listened with rapt attention.

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The nicest part about doing a gallery show? You sell a lot of books to a sincere group of attendees who get to see your illustrations up close. When the art is tangible and right there in person, people realize that someone actually had to sit and paint for many hours of hard work. I think it makes those signed books even more appreciated.

Thanks, New Hampshire, for a great time!

(don't forget to click on the photos to see bigger images!)

Hoedown album, a little late

Well, I have been trying to wrap up all sorts of things before the summer break up in NH.

One of those things I was trying to do was create a Hoedown slideshow to music that I could stick up on Youtube. The problem is that I am just not that computer smart to get it going....yet.

So in the meantime, I'll just share my snapshots of the evening that many of my freinds and family helped share with me. When all was said and done we had about 145 guests, and it was great to see them all.

Just before countdown, the tent is up, the bar and food tables get dressed, and the arts and craft table for the kids gets ready for action. When the guest arrivem they all really get into the spirit of being cowboys and cowgirls. And people came bearing gifts, which was a wonderful, unexpected and unnecessary surprise.

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Mostly we all ate, drank, and hung out at the ranch. The margaritas and cosmos flowed, along with Corona and Dos Equis. And the Tex Mex food got gobbled up by all of us hungry cowhands.

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It was great to see many old friends from out of town...

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..and near by, too.

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And in my journals people drew their fantasy cowboy boots, along with their own ideas about cowboys

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Thanks to everyone for making the night a special one!

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Hoe-Down, Pumped Up!! Thank you!

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Even though I won't be able to really post about my party until later in the week, I want to say a BIG THANK YOU to the 145 people who came to the Tex and Sugar Hoedown at the Johansen Newman Ranch on Saturday night to help me celebrate my various and sundry milestones, along with Tex and Sugar's book release. You came, you really dressed in cowboy style, you brought gifts even (pictured above is a super cool gift from Liz Goulet Dubois ), and you were all so wonderfully enthusiastic. It's a night I will never forget. Thank you, thank you.

Some of you I only knew online before the party, so it was a genuine thrill to meet you in person, like Vivian AKA Hip Writer Mama and her wonderful family and Kathy Weller of Weller Wishes.

Some of you are colleagues, family, friends and relatives I see often, but often not often enough.

And here is a picture of the first friends I made when we moved to Boston in 1981: Maria Fang and Joanna Kao. This party was our chance to reconnect after many years. The first shot is Saturday night, with my husband Phil (can you believe I got him to wear the shirt I bought for him?).

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The second picture, is as we were when we first met as a bunch of artists who got together to paint several days a week. I am with my dear grandfather, my old doggie Otto, artists Joanna Kao, Maria Fang and with the late artist Pacita Abad, whom we all wish could have been here to complete the picture on Saturday night. The four of us would get together for long days to paint together. I was still working in fabric and Pacita wanted to learn trapunto.

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As I said, this party was more than about the book. It was a celebration of the passing of time, in a way, and life's journeys. Joanna, Maria and Pacita knew me when I was first trying to make the transition from puppeteer and dollmaker to illustrator. They listened to me groan on and on about the frustrations of the illustration business, compared to the ease of the dollmaking business.

I'll be blogging with lots of pictures about the party as soon as I catch up with a few other things that were woefully neglected the past few months due to kids, book work, and party planning. First up is an interview of Kim Norman, on Thursday.

Before I post my own pictures, please check out some pictures here:

Liz Goulet DuBois' blog, Chat Rabbit

Shennen Bersani's Blog

Monica's Cafe

Wahoo!

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Getting ready for the "Not Just a Book Party" HOEDOWN!

Nearly six months ago, I mentioned in a blog post that my family and I decided to throw a party for the arrival of Tex and Sugar. Lord knows my family deserved it . They managed to overlook my 12 hour days painting away in my studio for 10 months, while the laundry piled up and the house went to pot. They ate a lot of take-out food. They didn't make me feel guilty--well, not too much, anyway. To tell the truth, the usual chores of domesticity bore me silly anyway, and I am no Suzy Homemaker when it comes to that stuff. So it was great to have a genuine excuse for slipping into even deeper waters of house neglect, with no fear of drowning. But if you read this blog, you already know that.....

Anyway, as we picked a date and made plans to celebrate, it became apparent that this party was not really just a book party. The book was the "excuse," but in reality, and quite by accident, several anniversaries seemed to coincide with it's arrival. If I were at all into numerology, I might think there is some cosmic significance to these figures. But I don't know squat about that stuff, so feel free to enlighten me, if you do.

Here is what we realized I was really celebrating:

35 years of seriously making art in one form or another: painting, puppets, dolls, fiber art, illustration.
25 years of being a published illustrator
10 years of choosing to follow my first love: books for kids

...oh, and Tex and Sugar, my first book as both illustrator AND author. That, too.

Besides the fact that seeing all those big numbers makes me feel a little old, looking at them and writing them down makes me appreciate that life is a journey after all. And art especially is a journey. I initially set out to do exactly what I am doing now, but I got sidetracked. Very sidetracked. I went to one college instead of another, I studied painting instead of illustration, and I got so fed up with art professors that I took to puppetry and dolls with a vengeance. It took some time and distance before I went back to my love of drawing and painting again to become an illustrator.

But life always offers distractions. Especially if you begin to raise a family. So it took even more time for me to finally focus ONLY on what I initially wanted to do 35 years ago: work on children's books.

Go over to Hip Writer Mama and read this post. Sometimes you have to take control of things and make plans to follow the dream. She is doing just that. At some point in the middle of also raising three kids I had to make that choice, too.

So here is a brief recap of my journey to becoming an author. I hope it gives everyone some hope to see that many of us do travel a ways to get where we are. Hey! It just happens to be twelve steps:

1. I decided to stop working with puppets and dolls and pursue my wish to illustrate. In 1982 I got my first paid illustration assignment.

2. In 1983 I wrote a collection of poems: "Seven Working Kitty City Ditties." I continued to work on my portfolio.

3. In the summer of 1984 I went to NYC with my portfolio (with the ms tucked in) and one editor came to meet me and pointed to the one poem and said, "Turn this into its own story."

4. Instead, I got very busy with tons of editorial illustration and raising three children.

5. After my third son was born, I was inspired again!

6. I started getting more and more illustration book work.

7. Around 2000, I pulled that dusty ms out of a drawer (literally) and began to work on it, in between a lot of book illustration work.

8. I sent it out for the first time. I could have sold it, but let someone else do the art. I said NO.

9. In between work, I tried to work on it. I had a couple of near sales, but no cigar.

10. I decided to focus almost all my time on writing and illustrating, but take no educational work

11. It became a better story.

12. In the spring of 2005 it sold 22 years after I first wrote it, and it came out two years after that.

So, for all of you out there who have been juggling families, and careers, but still long to write or illustrate, listen to me: you should never give up on your dreams. And, for what it is worth, my first book as author and illustrator is about that: following dreams.

To everyone who is already planning to come on Saturday to the "HOE-DOWN AT THE JOHANSEN NEWMAN RANCH" to help me celebrate following my dream, I can't wait to see you. Lots of food, drink, and music!

And think of it as this: as celebration of your own dreams, too.

And this, too: maybe a little kick in the ass to follow Hip Writer Mama's 7 or 30 Day Challenge.

Although, it doesn't mean you have to be like me and take 30 years. So get crackin!

Edited to add: AND I just turned 55 a few months ago, just to add to the strange case of the "multiples of five" party...

EDITED AGAIN TO ADD: My youngest son graduates from 5th grade tomorrow! Plus, so far the party head count is at 150. More 5's.

Bar Nine

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Back from NYC, and a long, fun, tiring, and inspirational weekend. A little sleep deprived, but that's the usual MO, so what else is new. Here are some pictures from the Friday night fun at Bar Nine. It was great fun to meet the famous Betsy Bird, of Fuse #8, in person. Here's a picture of Liz Goulet Dubois and Betsy.Bar9b_1
I was also very excited to meet Pamela Coughlin, the gal behind Mother Reader. I present Pam standing with Alvina Ling, whom I had the peasure of meeting at Kindling Words just two weeks earlier. Alvina's blog is bloomabilities.
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Bar Nine reminded me of the kinds of places I used to go to when I was young and in college: dark, well worn, a little grungy and very comfortable. It also had the feel of having had many patrons for many years in one form or another, as many New York establishments do. When I went downstairs to use the ladies room it was not hard to wonder what kind of place it might have been at the turn of the century, or perhaps during the roaring twenties--a time that particularly fascinates me. The back room was crowded and lively and there was lots of conversation going on, none of which I could hear, but all of which I imagined to be engaging. Here are a few more shots of people and space. Take a note of Ruth McNally Barshaw in her usual stance. I'm going to post about her as the wandering sketcher very soon.
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I am sorry I didn't learn the names of many of you, but I am happy to show everyone having a great time!Bar9e
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